Edith Wharton - SSC 09 Page 11

  But why, again—why? Sara Roseneath was an old friend, of course; an old love. He had been half disposed to marry her once, when she was Sara Court; but she had chosen a richer man, and now that she was widowed, though he had no idea of succeeding to the late Roseneath, he and she had drifted into a semi-sentimental friendship, occasionally went on little tours together, and were expected by their group to foregather whenever they were both in New York, or when they met in Paris or London. A safe, prudent arrangement, gradually fading into an intimacy scarcely calmer than the romance that went before. It was all she wanted of the emotional life (practical life being so packed with entertainments, dressmakers, breathless travel and all sorts of fashionable rivalries); and it was all he had to give in return for what she was able to offer. What held him, then? Partly habit, a common stock of relations and allusions, the knowledge that her exactions would never be more serious than this urgent call to help her to design a fancy-dress—and partly, of course, what survived in her, carefully preserved by beauty-doctors and gymnastic trainers, of the physical graces which had first captured him.

  Nevertheless he was faintly irritated with both himself and her for having suffered this journey to be imposed on him. Of course it was his own fault; if he had refused to come she would have found half a dozen whippersnappers to devise a fancy-dress for her. And she would not have been really angry; only gently surprised and disappointed. She would have said: “I thought I could always count on you in an emergency!” An emergency—this still handsome but middle-aged woman, to whom a fancy ball represented an event! There is no frivolity, he thought, like that of the elderly…. Venice in September was a place wholly detestable to him, and that he should be summoned there to assist a spoilt woman in the choice of a fancy-dress shed an ironic light on the contrast between his old ambitions and his present uses. The whole affair was silly and distasteful, and he wished he could shake off his social habits and break once for all with the trivial propinquities which had created them….

  The slatternly woman who sat crammed close against him moved a little to readjust the arm supporting her sleep-drunken baby, and her elbow pressed uncomfortably against Kilvert’s ribs. He got up and wandered forward. As the passengers came on board he had noticed two people—a man and a woman—whose appearance singled them out from the workaday crowd. Not that they fitted in with his standard of personal seemliness; the woman was bare-headed, with blown hair, untidy and turning gray, and the man, in worn shapeless homespun, with a short beard turning gray also, was as careless in dress and bearing as his companion. Still, blowsy and shabby as they were, they were evidently persons of education and refinement, and Kilvert, having found a corner for himself in the forward part of the boat, began to watch them with a certain curiosity.

  First he speculated about their nationality; but that was hard to determine. The woman was dusky, almost swarthy, under her sunburn; her untidy hair was still streaked with jet, and the eyes under her dense black eyebrows were of a rich burning brown. The man’s eyes were gray, his nose was straight, his complexion and hair vaguely pepper-and-salt, like his clothes. He had taken off his stalking-cap, disclosing thick hair brushed back carelessly from a high wide forehead. His brow and his high cheekbones were burnt to a deeper bronze than his companion’s, but his long nervous hands showed whiter at the wrists than hers. For the rest, they seemed of about the same age, and though there was no trace of youth about either of them their vigorous maturity seemed to give out a strong emotional glow. Such had been Kilvert’s impression as they came on board, hurriedly, almost precipitately, after all the other passengers were seated. The woman had come first, and the man, after a perceptible interval, had scrambled over the side as the boat was actually beginning to put off. Where had they come from, Kilvert wondered, why such haste and such agitation? They had no luggage, no wraps, the woman, gloveless and cloakless, apparently had not even a hat.

  For a while Kilvert had lost them in the crowd; but now, going forward, he found them wedged between the prow of the boat and the low sky-light of the forward cabin. They had not found seats, but they seemed hardly aware of it; the woman was perched on the edge of the closed sky-light, the man, facing her, leaned against the side of the boat, his hands braced against the rail. Both turned their backs to the low misty line along the horizon that was rapidly defining itself as a distant view of Venice. Kilvert’s first thought was: “I don’t believe they even know where they are.”

  A fat passenger perched on a coil of rope had spied the seat which Kilvert had left, and the latter was able to possess himself of the vacated rope. From where he sat he was only a few yards from the man and woman he had begun to watch; just too far to catch their words, or even to make quite sure of the language they were speaking (he wavered between Hungarian, and Austrian German smattered with English), but near enough to observe the play of their facial muscles and the corresponding gestures of their dramatic bodies.

  Husband and wife? No—he dismissed the idea as it shaped itself. They were too acutely aware of each other, what each said (whatever its import might be) came to the other with too sharp an impact of surprise for habit to have dulled their intercourse. Lovers, then—as he and Sara had once been, for a discreet interval? Kilvert winced at the comparison. He tried, but in vain, to picture Sara Roseneath and himself, in the hour of their rapture, dashing headlong and hatless on board a dirty boat crowded with perspiring work-people, and fighting out the last phase of their amorous conflict between coils of tarry rope and bulging baskets of farm produce. In fact there had been no conflict; he and Sara had ceased their sentimental relations without shedding of blood. But then they had only strolled around the edge of the crater, picking flowers, while these two seemed writhing in its depths.

  As Kilvert settled himself on his coil of rope their conversation came to an end. The man walked abruptly away, striding the length of the crowded deck (in his absorption he seemed unaware of the obstacles in his advance), while the woman, propped against her precarious ledge, remained motionless, her eyes fixed, her rough gray head, with the streaks of wavy jet, bowed as under a crushing thought. “They’ve quarrelled,” Kilvert said to himself with a half-envious pang.

  The woman sat there for several minutes. Her only motion was to clasp and unclasp her long sunburnt fingers. Kilvert noticed that her hands, which were large for her height, had the same nervous suppleness as the man’s; high-strung intellectual hands, as eloquent as her burning brown eyes. As she continued to sit alone their look deepened from feverish fire to a kind of cloudy resignation, as though to say that now the worst was over. “Ah, quarrelled irremediably—” Kilvert thought, disappointed.

  Then the man came back. He forced his way impatiently through the heaped-up bags and babies, regained his place at his companion’s side, and stood looking down at her, sadly but not resignedly. An unappeased entreaty was in his gaze. Kilvert became aware that the struggle was far from being over, and his own muscles unconsciously braced themselves for the renewal of the conflict. “He won’t give up—he won’t give up!” he exulted inwardly.

  The man lowered his head above his companion, and spoke to her in pressing inaudible tones. She listened quietly, without stirring, but Kilvert noticed that her lower lip trembled a little. Was her mouth beautiful? He was not yet sure. It had something of the sinuous strength of her long hands, and the complexity of its curves made it a matchless vehicle for the expression of irony, bitterness and grief. An actress’s mouth, perhaps; over-elastic, subtly drawn, capable of being beautiful or ugly as her own emotions were. It struck Kilvert that her whole face, indeed her whole body, was like that: a vehicle, an instrument, a language rather than a plastic fact. Kilvert’s interest deepened to excitement as he watched her.

  She began to speak, at first very low and gravely; then more eagerly, passionately, passing (as he imagined) from pleading, from tenderness and regret, to the despair of an accepted renouncement. “Ah, don’t tempt me—don’t begin it all over ag
ain!” her eyes and lips seemed to be saying in tortured remonstrance, as his gray head bent above her and their urgent whispers were interwoven….

  Kilvert felt that he was beginning to understand the situation. “She’s married—unhappily married. That must be it. And everything draws her to this man, who is her predestined mate…. But some terrible obstacle lies between them. Her husband, her children, perhaps some obligation of his that he wants to forget, but that she feels compelled, for his own sake, to remind him of, though she does so at the cost of her very life—ah, yes, she’s bleeding to death for him! And they’ve been off, spending a last day together in some quiet place, to talk it all over for the last time; and he won’t take her refusal for an answer—and by God, I wouldn’t either!” Kilvert inwardly shrieked, kindled to a sudden forgotten vehemence of passion by the mute display of it before him. “When people need each other as desperately as those two do—not mere instinct-driven infants, but a mature experienced man and woman—the gods ought to let them come together, no matter how much it costs, or for how short a time it is! And that’s what he’s saying to her; by heaven, he’s saying: ‘I thought I could stand it, but I can’t.’ …”

  To Kilvert’s surprise his own eyes filled with tears; they came so thick that he had to pull out his handkerchief and wipe them away. What was he mourning—the inevitable break between these two anguished people, or some anguish that he himself had once caught a glimpse of, and missed? There had been that gray-eyed Russian girl, the governess of his sister’s children; with her he had very nearly sounded the depths. He remembered one long walk with her in the summer woods, the children scampering ahead. … At a turn when they were out of sight, he and she had suddenly kissed and clung to each other…. But his sister’s children’s governess—? Did he mean to marry her? He asked himself that through a long agitated night—recalled the chapter in “Resurrection” where Prince Nekludov paces his room, listening to the drip of the spring thaw in the darkness outside—and was off by the earliest train the next morning, and away to Angkor and Bali the following week. A man can’t be too careful—or can he? Who knows? He still remembered the shuddering ebb of that night’s emotions….

  “But what a power emotion is!” he reflected. “I could lift mountains still if I could feel as those two do about anything. I suppose all the people worth remembering—lovers or poets or inventors—have lived at white-heat level, while we crawl along in the temperate zone.” Once more he concentrated his attention on the couple facing him. The woman had risen in her turn. She walked away a few steps, and stood leaning against the rail, her gaze fixed on the faint horizon-line that was shaping itself into wavering domes and towers. What did that distant view say to her? Perhaps it symbolized the life she must go back to, the duties, sacrifices, daily wearinesses from which this man was offering her an escape. She knew all that; she saw her fate growing clearer and clearer before her as the boat advanced through the summer twilight; in half an hour more the crossing would be over, and the gang-plank run out to the quay.

  The man had not changed his position; he stood where she had left him, as though respecting the secrecy of her distress, or else perhaps too worn out, too impoverished in argument, to resume the conflict. His eyes were fixed on the ground; he looked suddenly years older—a baffled and beaten man….

  The woman turned her head first. Kilvert saw her steal a furtive glance at her companion. She detached her hands from the rail, and half moved toward him; then she stiffened herself, resumed her former attitude, and addressed her mournful sunken profile to the contemplation of Venice…. But not for long; she looked again; her hands twitched, her face quivered, and suddenly she swept about, rejuvenated, and crossed the space between herself and her companion. He started at her touch on his arm, and looked at her, bewildered, reproachful, while she began to speak low and rapidly, as though all that was left to be said must be crowded into the diminishing minutes before the boat drew alongside the quay. “Ah, how like a woman!” Kilvert groaned, all his compassion transferred to the man. “Now she’s going to begin it all over again—just as he’d begun to resign himself to the inevitable!”

  Yet he envied the man on whom this intolerable strain was imposed. “How she must love him to torture him so!” he ejaculated. “She looks ten years younger since she’s come back to him. Anything better than to spend these last minutes apart from him…. Nothing that he may be suffering counts a single instant in comparison with that. …” He saw the man’s brow darken, his eyebrows jut out almost savagely over his suffering bewildered eyes, and his lips open to utter a word, a single word, that Kilvert could not hear, but of which he traced the passage on the woman’s face as if it had been the sting of a whip. She paled under her deep sunburn, her head drooped, she clung to her companion desolately, almost helplessly, and for a minute they neither spoke nor looked at each other. Then Kilvert saw the man’s hand steal toward hers and clasp it as it still lay on his arm. He spoke again, more softly, and her head sank lower, but she made no answer. They both looked exhausted with the struggle.

  Two men who had been sitting near by got up and began to collect their bags and baskets. One of the couple whom Kilvert was watching pointed out to the other the seats thus vacated, and the two moved over and sat down on the narrow board. Dusk was falling, and Kilvert could no longer see their faces distinctly; but he noticed that the man had slipped his arm about his companion, not so much to embrace as to support her. She smiled a little at his touch, and leaned back, and they sat silent, their worn faces half averted from one another, as though they had reached a point beyond entreaties and arguments. Kilvert watched them in an agony of participation….

  Now the boat was crossing the Grand Canal; the dusky palaces glimmered with lights, lamplit prows flashed out from the side canals, the air was full of cries and guttural hootings. On board the boat the passengers were all afoot, assembling children and possessions, rummaging for tickets, chattering and pushing. Kilvert sat quiet. He knew the boat would first touch near the railway station, where most of the passengers would probably disembark, before it carried him to his own landing-place at the Piazzetta. The man and woman sat motionless also; he concluded with satisfaction that they would probably land at the Piazzetta, and that there he might very likely find some one waiting for him—some friend of Mrs. Roseneath’s, or a servant sent to meet him—and might just conceivably discover who his passionate pilgrims were.

  But suddenly the man began to speak again, quickly, vehemently, in less guarded tones. He was speaking Italian now, easily and fluently, though it was obvious from his intonation that it was not his native tongue. “You promised—you promised!” Kilvert heard him reiterate, no doubt made reckless by the falling darkness and the hurried movements of the passengers. The woman’s lips seemed to shape a “no” in reply; but Kilvert could not be sure. He knew only that she shook her head once or twice, softly, resignedly. Then the two lapsed once more into silence, and the man leaned back and stared ahead of him.

  The boat had drawn close to her first landing-stage, and the gang-plank was being run out. The couple sat listlessly watching it, still avoiding each other’s eyes. The people who were getting off streamed by them, chattering and jostling each other, lifting children and baskets of fowls over their heads. The couple watched….

  And then, suddenly, as the last passengers set foot on the quay, and the whistle for departure sounded, the woman sprang up, forced her way between the sailors who had their hands on the gang-plank, and rushed ashore without a backward glance or gesture. The man, evidently taken by surprise, started to his feet and tried to follow; but a bewildered mother clutching a baby blocked his way, the bell rang, and the gangplank was already being hauled onto the boat…. The man drew back baffled, and stood straining his eyes after the fugitive; but she had already vanished in the dispersing throng.

  As Kilvert’s gaze followed her he felt as if he too were straining his eyes in the pursuit of some rapture just glimpsed and mi
ssed. It might have been his own lost destiny mocking him in the flight of this haggard woman stumbling away distraught from her last hope of youth and freedom. Kilvert saw the man she had forsaken raise his hand to his eyes with a vague hopeless gesture, then give his shoulders a shake and stand leaning against the rail, unseeing, unhearing. “It’s the end,” Kilvert muttered to himself.

  The boat was now more than half empty, and as they swung back into the Grand Canal he was tempted to go up to the solitary traveller and say a word to him—perhaps only ask him for a light, or where the boat touched next. But the man’s face was too closed, too stricken; Kilvert did not dare intrude on such a secrecy of suffering. At the Piazzetta the man, who had taken up his place near the gang-plank, was among the first to hurry ashore, and in the confusion and the cross-play of lights Kilvert for a moment lost sight of him. But his tall gray head reappeared again above the crowd just as Kilvert himself was greeted by young Harry Breck, Mrs. Roseneath’s accomplished private secretary. Kilvert seized the secretary’s arm. “Look here! Who’s that man over there? The tall fellow with gray hair and reddish beard … stalking-cap … there, ahead of you,” Kilvert gasped incoherently, clutching the astonished Breck, who was directing one of Mrs. Roseneath’s gondoliers toward his luggage.

  “Tall man—where?” Young Breck, swinging round, lifted himself on his tiptoes to follow the other’s gesture.

  “There—over there! Don’t you see? The man with a stalking-cap—”

  “That? I can’t be certain at this distance; but it looks like Brand, the ‘cellist, don’t it? Want to speak to him? No? All right. Anyhow, I’m not so sure….”